Summary The Annapolis Brass Quintet, active from 1971-1993, was the first full-time performing brass ensemble in the US. The collection contains 1,150 performance scores and related materials, along with ca. 500 pieces of correspondence to and from members of the Quintet. Inventory Series 1: Scores and related materials: Consists of approximately 1,150 scores that are individually cataloged in Oberlin’s Library Catalog (OBIS)., organized in reverse chronological order by date of publication. Many of the scores in this series include errata sheets, correspondence, program notes, and similar items related to an individual work. These materials are identified in the respective OBIS catalog record for the item and are shelved separately from the music.

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To see these items, please request one of the following call number ranges: M557.4; M559 - M985; M1040 - M1625. Series 2: Correspondence: This series contains letters from the individual named, as well as responses from members of the quintet. Many of the latter are written or typed on the back of publicity materials for the ensemble, often with photographs of the group, but the dates of the letters do not necessarily correspond to the dates for the publicity materials or photographs.

The series is organized by composer's name with indication of the number of items within the file. History The Annapolis Brass Quintet, founded in 1971 by trumpeter David Cran and bass trombonist Robert Posten, was the first full-time performing brass ensemble in the US. Over the course of its twenty-two year history, the Quintet received critical acclaim and drew enthusiastic audiences in all fifty states and throughout Europe, Asia, the Middle East, Central America, and Canada.

The ensemble's strong commitment to expanding the repertoire for brass quintet led to the publication of many of its own editions of existing music, numerous commissions of new works, and over seventy-five world premieres. Among the composers who wrote music for the Quintet are Douglas Allanbrook, Michael Brown, Bruce Clausen, George Heussenstamm, Warren Kellerhouse, Jiri Laburda, Robert Hall Lewis, Allen Molineux, Lawrence Moss, Jiri Pauer, Karl Pilss, Walter Ross, Jerzy Sapieyevski, Elam Sprenkle, Robert Starer, George Walker, and Robert Washburn.

Of particular note are four works written for brass quintet with orchestra, which the ensemble performed with the Baltimore Symphony, the Bavarian Radio Orchestra, the Stuttgart Philharmonic, the Wichita Symphony and the Dublin Radio Orchestra. The original members of the Annapolis Brass Quintet were trumpeters David Cran and Haldon 'Butch' Johnson, trombonist John Driver, bass trombonist Robert 'Rip' Posten, and horn player Rick Rightnour; nine other musicians performed as regular members of the Quintet during its lifetime: trumpeter Robert Suggs, trombonists Wayne Wells, Martin Hughes, and Tim Beck, and horn players Sharon Tiebert, Arthur Brooks, Marc Guy, Calvin Smith, and Arthur 'Ted' Labar. The Annapolis Brass Quintet, with a final roster of Cran, Posten, Suggs, Wells, and Tiebert, disbanded in 1993, but reconvened for a single concert in memory of the late Charlie Byrd, which was held on December 17, 2000, in Annapolis, Maryland. The Quintet's long collaboration with this legendary American jazz and classical guitarist and his critically acclaimed trio is documented in over fifty joint concerts throughout the United States, Christmas concerts in Annapolis, and two recordings: Byrd and Brass, and Christmas with Byrd and Brass. The Annapolis Brass Quintet's first extended tour of the United States was in 1972, and included eight Midwestern states.

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